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<DIV><FONT face=Arial size=2><IMG alt="tuba" hspace=0
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<DIV><FONT face=Arial size=2>An experience of a lifetime. This building reflects
the exuberant joy - so typical of the period - taken in mixing several historical
styles.</FONT></DIV>
<DIV><FONT face=Arial size=2>The sculpture is a few yards from her
house.</FONT></DIV>
<DIV><FONT face=Arial size=2>X-ray studies bear out this theory by showing us
that the old man's head was painted on top of another head that appears in several
of Rembrandt's paintings from those years. As I entered into the dark room with one
spotlight on each Rembradt my enthusiasm was transformed into thankfulness and
humility. This building reflects the exuberant joy - so typical of the period -
taken in mixing several historical styles.</FONT></DIV>
<DIV><FONT face=Arial size=2>I have made a large image available, so that you
can enjoy it yourself.</FONT></DIV>
<DIV><FONT face=Arial size=2>The Eldest Daughters of M. Wonderful surroundings
for an interactive lecture.</FONT></DIV>
<DIV><FONT face=Arial size=2>X-ray studies bear out this theory by showing us
that the old man's head was painted on top of another head that appears in several
of Rembrandt's paintings from those years. Make the sculpture
dismountable.</FONT></DIV>
<DIV><FONT face=Arial size=2>Below you can study the two reattributed
Rembrandts.</FONT></DIV>
<DIV><FONT face=Arial size=2>Their doubts were mainly caused by the coarse style
of painting. X-ray studies bear out this theory by showing us that the old man's
head was painted on top of another head that appears in several of Rembrandt's
paintings from those years. I have made a large image available, so that you can
enjoy it yourself. We even know some people who know people who know people in high
places.</FONT></DIV>
<DIV><FONT face=Arial size=2>At the same time it exemplifies the pastose manner
of painting characteristic of the artist's late work.</FONT></DIV>
<DIV><FONT face=Arial size=2>This is most clearly evident from the richly
decorated facade and the imposing entrance, which makes for a solemn transition from
the outside world into the museum collections. - the National Gallery has obtained
much more knowledge about the works in question. At the same time, studies of the
wooden panel show that the wood can be traced back to Rembrandt in terms of both
geography and time.</FONT></DIV>
<DIV><FONT face=Arial size=2>The scholars of the time found it difficult to
reconcile this coarseness with what they thought of as the typically very meticulous
and carefully finished style of Rembrandt's early works.</FONT></DIV>
<DIV><FONT face=Arial size=2>At the same time it exemplifies the pastose manner
of painting characteristic of the artist's late work.</FONT></DIV>
<DIV><FONT face=Arial size=2>The Flemish Cornelius Nobertus Gijsbrects. We know
some people in high places, and we know some people who know people in high places.
We showed the image to a few and asked them for some direction as to who to send the
proposal to.</FONT></DIV>
<DIV><FONT face=Arial size=2>We know some people in high places, and we know
some people who know people in high places.</FONT></DIV>
<DIV><FONT face=Arial size=2>I myself had paid no attention to Gijsbrects
before. Make the sculpture dismountable.</FONT></DIV>
<DIV><FONT face=Arial size=2>I have made a large image available, so that you
can enjoy it yourself.</FONT></DIV>
<DIV><FONT face=Arial size=2>The Flemish Cornelius Nobertus Gijsbrects. Sorry
for the toned windows in the bus.</FONT></DIV>
<DIV><FONT face=Arial size=2>But unfortunately I found no
Rembrandts.</FONT></DIV>
<DIV><FONT face=Arial size=2>The scholars of the time found it difficult to
reconcile this coarseness with what they thought of as the typically very meticulous
and carefully finished style of Rembrandt's early works.</FONT></DIV>
<DIV><FONT face=Arial size=2>We know some people in high places, and we know
some people who know people in high places. Below you can study the two reattributed
Rembrandts.</FONT></DIV>
<DIV><FONT face=Arial size=2>As I entered into the dark room with one spotlight
on each Rembradt my enthusiasm was transformed into thankfulness and humility. The
Master and his Workshop" and SMK HIGHLIGHTS the Notional Gallery has succeeded in
this branch of art.</FONT></DIV>
<DIV><FONT face=Arial size=2>Like other works by the young Rembrandt, this small
painting appears to be a practice piece. </FONT></DIV></BODY><br />--
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